Creative License: The Art of Gestalt Therapy by Margherita Spagnuolo Lobb, Nancy Amendt-Lyon

By Margherita Spagnuolo Lobb, Nancy Amendt-Lyon

The time is ripe, greater than fifty years after the ebook of the magnum opus by means of Perls, Hefferline & Goodman, to post a booklet concerning cre­ ativity in Gestalt remedy. the assumption for this ebook was once conceived in March 2001, at the island of Sicily, on the first actual eu convention of Gestalt remedy Writers of the eu organization [or Gestalt treatment. Our begin­ ing aspect used to be an editorial on artwork and creativity in Gestalt remedy, which was once provided there by way of one of many editors, and illuminated by means of a imaginative and prescient, held via the opposite editor, of bringing jointly colleagues from all over the world to give a contribution to a certified quantity almost about creativity in the realm of Gestalt treatment. we needed to proceed the pro discourse inter­ nationally and catch the synergetic results of skilled colleagues' re­ flections on a variety of features of our selected topic. additionally, we meant to discover how the theoretical mirrored image of one's perform can motivate potent interventions and, vice versa, how the dialogue of sensible reviews can form new theoretical instructions. accordingly, our goal during this ebook is to create a discussion board at the notion of creativ­ ity in Gestalt therapy.

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Example text

According to this perspective , the development supposedly implies that implicit knowledge turns into explicit knowledge. This is not true for the most part. Some things do become explicit. But the majority of implicit knowledge remains implicit and, while the explicit knowledge expands, the implicit knowledge does the same: just more and more things are understood in that way. The other aspect we didn't realize about implicit knowledge is that we used to think it was less rich, less sophisticated, less elaborate, and less complicated than explicit knowledge which isn't true.

I would like to see your face . I don't know what you're doing back there. You could be knitting, sleeping ... " Now, the client didn't On the Other Side of th e Moon 23 know she was going to do this . All of a sudden it popped up, and she said this, sat up, and turned around to look at the therapist. This had never happened in two years. She didn't plan to sit up , she just did sit up. You can say that that could have been handled in a lot of ways, or it could have been avoided, if you wanted to avoid it.

My feeling is that Gestalt therapy knows about implicit knowledge and uses it , but it doesn't focalise on it theoretically, as it probably should. Maybe I'm wrong: we'll see. Let me start with the distinction between implicit and explicit knowledge, which everybody knows, but which I want to make very clear. Explicit knowledge is verbal, symbolic, and declarative. It's also what narration is made of: all interpretations are by definition explicit. Implicit 1 This chapter is the transcription of a speech by the author in Siracusa, Italy, on January 18, 2002, for a seminar entitled "Creative Improvisation in Psychotherapy" , which was organized by the Istituto di Gestalt, whose directors are Margherita Spagnuolo Lobb and Giovanni Salonia.

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