American Idol After Iraq: Competing for Hearts and Minds in by Nathan Gardels

By Nathan Gardels

This striking little e-book explores the position people media in international coverage, not just at this time second, yet with a watch to the future.Written by means of a veteran Hollywood movie govt and an the world over identified columnist in international affairsExplains how American videos, television indicates, and dad track give you the pictures of the USA to the remainder of the realm, and the remainder of the realm to AmericansIncludes discussions of the cartoons of the Prophet Mohammed Danish day-by-day newspapers, Tibetan priests censored out of chinese language television information experiences in simple terms to teach up on You Tube, and the Vatican's attack at the Da Vinci Code movieArgues that Hollywood is a key participant within the 'deep coalition' required to help a 'smart strength' international coverage and construct a world cultural infrastructure that might make the area secure for interdependence

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Additional info for American Idol After Iraq: Competing for Hearts and Minds in the Global Media Age

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Al Houra’s mission was to offer an example of the free media in the American tradition. In the end, however, it too was considered a failure because no amount of goodwill broadcasting changed anyone’s mind as long as what most Arabs regarded as the occupation of Iraq and (in their view) the unbalanced support of Israel continued as the core of American policy. Most Arabs considered it propaganda. When all is said and done, public or cultural diplomacy which sought to influence the foreign public had its greatest (although small) success through Voice of America during the Cold War, mostly in zones where Hollywood films and American mass culture generally were off limits due to censorship and lack of access to markets.

On the Beach, with Gregory Peck and Ava Gardner, took a post-holocaust look at nuclear war in 1959, as did many later films such as Planet of the Apes (1968), The Day After in 1983, and even Terminator I and Terminator II (1990s) which also told a post-holocaust story of war with surviving machines made in man’s image. It was during the tensest days of the Cold War that John Kennedy, enamored of Hollywood like his father, suggested to Arthur Krim, then Chairman of United Artists, that Ian Fleming’s 007 espionage novels ought to be made into movies, bringing that James Bond glamour to the struggle against the Russians.

3. Kermode, F. ” New York Review of Books, vol. 55, no. 7. Armitage, R. , and Nye, J. S. (2007) A Smarter, More Secure America. CSIS Commission on Smart Power 17. Pew Research Center Publications, November 7, 2007. 24 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. The Magic is Gone Gardels, N. ” Huffington Post, July 14, 2008. Moïsi, D. ” Financial Times, June 9, 2008. Oates, J. C. ” The Atlantic, November 2007. Scowcroft, B. ” New Perspectives Quarterly, vol. 24, no. 4, pp.

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