By John Hartley, Visit Amazon's Jean Burgess Page, search results, Learn about Author Central, Jean Burgess, , Visit Amazon's Axel Bruns Page, search results, Learn about Author Central, Axel Bruns,
Chapter 1 Media reviews and New Media stories (pages 13–32): Sean Cubitt
Chapter 2 the way forward for electronic Humanities is an issue of phrases (pages 33–52): Willard McCarty
Chapter three Media Dynamics and the teachings of background (pages 53–72): Thomas Pettitt
Chapter four Literature and tradition within the Age of the hot Media (pages 73–89): Peter Swirski
Chapter five The Economics of latest Media (pages 90–103): John Quiggin
Chapter 6 the tip of Audiences? (pages 104–121): Sonia Livingstone and Ranjana Das
Chapter 7 The Emergence of Next?Generation net clients (pages 122–141): furnish clean and William H. Dutton
Chapter eight nationwide net reviews (pages 142–166): Richard Rogers, Esther Weltevrede, Erik Borra and Sabine Niederer
Chapter nine within the Habitus of the recent (pages 167–184): Zizi Papacharissi and Emily Easton
Chapter 10 lengthy reside Wikipedia? (pages 185–190): Andrew Lih
Chapter eleven altering Media with Mobiles (pages 191–208): Gerard Goggin
Chapter 12 Make Room for the Wii (pages 209–218): Ben Aslinger
Chapter thirteen Improvers, Entertainers, Shockers, and Makers (pages 219–230): Charles Leadbeater
Chapter 14 The Dynamics of electronic Multisided Media Markets (pages 231–246): Patrik Wikstrom
Chapter 15 seek and Networked consciousness (pages 247–260): Alexander Halavais
Chapter sixteen opposed to seek (pages 261–273): Pelle Snickars
Chapter 17 Evolutionary Dynamics of the MobileWeb (pages 275–289): Indrek Ibrus
Chapter 18 Pseudonyms and the increase of the Real?Name internet (pages 290–307): Bernie Hogan
Chapter 19 New Media and altering Perceptions of Surveillance (pages 309–321): Anders Albrechtslund
Chapter 20 classes of the Leak (pages 322–335): Christoph Bieber
Chapter 21 Cybersexuality and on-line tradition (pages 337–345): Feona Attwood
Chapter 22 Microcelebrity and the Branded Self (pages 346–354): Theresa M. Senft
Chapter 23 on-line id (pages 355–364): Alice E. Marwick
Chapter 24 Practices of Networked identification (pages 365–374): Jan?Hinrik Schmidt
Chapter 25 the web and the outlet Up of Political house (pages 375–384): Stephen Coleman
Chapter 26 the net as a Platform for Civil Disobedience (pages 385–395): Cherian George
Chapter 27 Parody, Performativity, and Play (pages 396–406): Jeffrey P. Jones
Chapter 28 The Politics of “Platforms” (pages 407–416): Tarleton Gillespie
Chapter 29 From Homepages to community Profiles (pages 417–426): Axel Bruns
Chapter 30 the hot Media Toolkit (pages 427–438): Mark Pesce
Chapter 31 Materiality, Description, and comparability as instruments for Cultural distinction research (pages 439–449): Basile Zimmermann
Chapter 32 studying from community Dysfunctionality (pages 450–460): Tony D. Sampson and Jussi Parikka
Chapter 33 kids on-line (pages 461–471): Lelia eco-friendly and Danielle Brady
Chapter 34 past Generations and New Media (pages 472–479): Kate Crawford and Penelope Robinson
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Additional info for A Companion to New Media Dynamics
M. (2002) Free Software, Free Society: Selected Essays, ed. J. Gay. Boston, MA: GNU Press/Free Software Foundation. Sterne, J. (2003) The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press. Sterne, J. ’’ New Media & Society 8(5), 825–842. Sterne, J. (2012) MP3: The Meaning of a Format. Durham, NC: Duke University Press. Sunstein, C. 0. Princeton, NJ: Princeton University Press. Terranova, T. ’’ Data Browser 03. pdf. P. (1963) The Making of the English Working Class.
Much of the analysis of audiences is therefore still based on textual aesthetics and interpretation. Games studies’ accounts of ‘‘audience’’ have especially broken free of the training early researchers gained in ﬁlm studies, ﬁrst through the ‘‘ludology’’ debates of the 1990s (Aarseth 1997) and now due to the rich mixture of traditions ﬂourishing today (Wolf and Perron 2003; Perron and Wolf 2009). A number of inﬂuential, mainly US, texts address the cultural forms of new media (Bolter and Grusin 1999; Manovich 2001; Jenkins 2008), with Jenkins especially asserting the power of the Media Studies and New Media Studies 25 active audience to create meanings and cultures, more so now that digital tools enable both making and sharing of cultural artifacts.
Hassan 2003) are experienced in the global network. The geographical turn also coincided with the rise of postcolonial challenges to entrenched cultural studies analyses, which knocked on into media studies. De-Westernizing media studies (Curran and Park 2000) became a signiﬁcant project in its own right, not least as new media began to shift from their early US/European biases toward, among other factors, a stage at which English was no longer the dominant or even the majority language of the Internet.